A staple of the operatic repertoire, Beethoven’s only opera continues to be regularly revived and treated with respect by opera companies across the globe, and it’s easy to see why. Fidelio is rich in ...

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It is always a great pleasure to zip down the M40 to the glorious Wormsley Estate, the setting for Garsington Opera. With glorious weather, red kites wheeling in the sky and an opera house that feels ...

Opera Company of Middlebury Opera Company of Middlebury presents Ludwig van Beethoven’s “Fidelio,” directed by Douglas Anderson and conducted by Filippo Ciabatti, June 2-10 at Town Hall Theater, 68 S.

Garsington’s airy and luminous opera pavilion challenges any interpreter of a work so filled – dramatically and musically – with the subterranean darkness of buildings, of institutions, and of the ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick The Met, a magnet for star singers, flexed its muscles to stack the cast of Beethoven’s only opera, with Lise Davidsen in the title role ...

In the wake of some glorious Strauss and Wagner and an appetite-whetting publicity campaign for this production itself, I had high hopes for WNO’s new production of Fidelio-exciting young artists in ...

Beethoven’s “Fidelio” is a brave opera of liberation. It may also be a dramatically flawed opera, and one Beethoven anguished over longer than any of his other great works. But liberation itself is a ...

The premise isn't a bad one: start at the end of the 18th century, with a supposedly realistic panorama of life in a French prison run by revolutionary forces – Beethoven's move to Spain was, after ...