In the Chinese director’s third feature, the pop idol Jackson Yee plays a shape-shifting dreamer who gets lost in a densely ...
Bi Gan talks his Cannes winner 'Resurrection' and building the film's extraordinary one-take sequence involving a raincoat ...
Bi Gan’s “Resurrection” entangles dreams and realities, including odes to traditional Chinese film trends. Its unconventional ...
The Chinese director Bi Gan, who has become a lauded fixture on the festival circuit, conjures a boundary-pushing tale that ...
The logic of dreams Bi Gan’s “Resurrection” (film review) by Bondo Wyszpolski There are movies, which entertain, and then ...
Bi Gan stuns with another jaw-dropping oner in Resurrection, a dreamy anthology designed to make you appreciate cinema.
Resurrection' contains one of director Bi Gan's signature long takes — lasting 30 minutes — but the movie is also a euphoric, ...
Chinese auteur Bi Gan is back at Cannes with competition title “Resurrection,” a six-part fever dream where a movie monster drifts through China’s 100-year history. “I structured this monster’s soul ...
The former can feel interminable and endless, the sensation of enduring a cinematic kind of solitary confinement, the filmgoer trapped in the laziest and most selfish recesses of a director’s mind.
With “Resurrection,” the director has made a surrealist epic not just about Chinese history but about the cinema itself.
Chinese director Bi Gan, whose 2018 film “Long Day’s Journey into Night” played at Cannes, will next direct “Resurrection.” The ambitious sci-fi detective movie is to be headlined by Chinese superstar ...
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